Isac Friedlander (1890 - 1968)

Self Portrait, 1935
wood engraving, edition 50
10 1/2 x 9"
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In 1929, with the encouragement of his cousin,
Joseph Hirshhorn, Friedlander began his long
and frustrating odyssey as an immigrant bound
for America. When at last he arrived in the States,
he found, in place of a land of challenge and
opportunity, a nation locked in the grip of the Great
Depression. Human suffering, unemployment, and
despair were everywhere he looked. For him, how-
ever, deprivation and man's struggle to cope with it
had been the only way of life he knew.
Indeed, his art was firmly rooted in the imagery of
human suffering and of man's struggle with ad-
versity: first in those youthful drawings in a czarist
prison, then in the art of his homesick student days
in Rome, and more recently in his work while teaching
in Latvia. It was only natural, therefore, that his art
during those depression years should focus on the lives
and sufferings of the downtrodden he found wandering
the streets of New York.
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